| Heroes: Truth and Consequences |
| Sunday, 25 November 2007 | |
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In the tenth and next-to-last episode of season 2, we again jump right into the muddled mess that is Heroes: Generations. Hiro continues his quest to find Adam Monroe and stop the Shanti virus (which could kill us all); Nikki goes home to give Micah more bad news; Peter Petrelli helps Adam track down Victoria Pratt and learns more about the Shanti virus (which could kill us all); Claire mourns her not-quite-late adopted father; and Mohinder works on a cure for the Shanti virus (which, in case you didn't know, could kill us all). Things were looking up last week, they really were. But, it's a new week here at BleepingGeek, and with it comes another episode of Heroes that makes this writer want to throw his hands up in the air in frustration and cry "uncle". Sure, it had it's moments: the pace was still much quicker than it has been and certain characters were decently written, but it also had moments where I had to double check the NBC website to make sure that they had not in fact started hiring (poorly) trained chimpanzees to write for them. Turns out they haven't... yet. Death of a (Paper) Salesman As we saw last week and were subsequently re-shown this week, Noah Bennett survived the bullet to the head with the help of Claire's blood. This must have been a very special bullet to have gone straight through HRG's eye, but not damaged any brain matter, which we all know you can't heal from... right? Maybe not. Back at the Bennett home, however, Bob has returned to tell Claire that she'll be allowed to live a normal life and to give her one more thing: an urn supposedly containing her father's ashes. Bob leaves, but has Elle keep an eye on Claire anyway. Claire weeps and mourns and uses the now cliche "I can survive physical wounds, but emotional stuff still hurts me" speech. Ok, we get it. You're not quite as invincible as you're supposed to be. Cry me a friggin' river. ![]() Did you just unhook my bra? Claire dumps her fathers ashes into the sea, an act that seems to defy the very weather itself. Seriously, watch it again: in one shot the wind is blowing out to sea (for instance, when Claire actually dumps the ashes), but during the closeups the wind is blowing directly back at her. Add in a bellicose ex-Vietnam vet in Aviator specs and an awkward eulogy and you have yourselves some comic hilarity waiting to ensue. While saying goodbye to West (and let us hope that we're saying goodbye to him as well), Claire catches Elle watching her. Elle, still injured from her encounter with HRG and sipping on a Slusho (gotta love the nod to Cloverfield ), can't get away quick enough and Claire and her have a little girl-to-girl chat. Claire threatens to go public with her abilities and turn the tables on Elle and the entire Company. "You'll be the ones running," she states. Back at Primatech, Mohinder revives Noah and they have a little spat over the whole "you shot me/you betrayed me" thing. Mohinder throws a temper tantrum like always, and HRG tries to warn him about the Company, but Mohinder isn't listening. He uses Claire's blood and, together with his own, develops a vaccine that will cure the new strain of Shanti virus (strain 138), which coincidentally could kill us all. Captain Obvious Returns Next we come to the Micah/Monica/Nikki storyline, and I would like to be the first to praise NBC for their equal opportunity hiring practices, seeing as how this whole storyline must have been written by a mentally handicapped person (no offense to all the mentally handicapped people out there that just so happen to be professional writers... I'm looking in your direction Marc Cherry). To start out, these scenes win the award for worst dialog this season by far. I don't know which is worse: Micah's cousin talking about "rollin' large" or the fact that Monica, an 18 year old girl, has to have a little kid explain to her what the whole "secret identity" thing is about. "Oh! That's why Clark Kent wears those glasses!" Gee, ya think? Would you like Micah to show you how to go #2 on the potty now, as well? How dense do you have to be that you can't figure out a concept as simple as "some heroes don't want people to know who they are"? Apparently, Monica never spent much time on a kindergarten playground where these things were discussed at great lengths. ![]() Who put 2 Girls 1 Cup on here? Monica and Micah go to get his backpack back, which is a brilliant decision. I know that if I had to break into someone's house and steal back my personal property the very first thing I'd do is find the youngest, most naive, most milquetoast little kid I could to come and be my backup. This is only compounded by Monica's continuing stupidity: After watching some parkour on her iPod (ridiculously convenient, no?), she breaks into a house that a local gang is currently squatting in and finds Micah's pack. Unfortunately, the gang returns and catch Monica because she tries to hide in a nook in the ceiling above them and just happens to drop a comic. You should know by now that this is the kind of thing I can't just let slide. I mean, c'mon! How many times have we seen that scenario play out? Oooh, the bad guys are coming... quick! Hide on the ceiling, they'll never see you! Uh-oh, something's going to drop and alert them to your presence! Aaah! Whether it's Spiderman or Mission Impossible, this is one of those scenes that needs to be forever banned from television and cinema. Throw it a party, put it's jersey up on display, do whatever you gotta do, but please just retire this idea already. I'm sick of seeing it. Not to mention, why did Monica decide to actually head TOWARDS the gang and the stairs when she had an open window and a way to escape right behind her the whole time? Sloppy writing, just sloppy, sloppy, sloppy. When Monica is finally captured the gang members knock her out, but not before casually mentioning that they are being paid to burn down several buildings. This is important because Isaac Mendez, who wrote the issue of 9th Wonders before his death, named the character Saint Joan. If you know anything about Joan of Arc, you can probably guess where this is headed. When Harry Met Sylar Last time we saw Sylar, Maya, and Alejandro they were crossing the border into America in a stolen car. Now, for whatever reason, they've somehow stumbled upon a romantic getaway where Sylar and Maya can sip wine, stare out in the sunset, and otherwise expedite an already tedious romantic subplot. ![]() Clark Kent murdered his mother? Sylar convinces Maya that she can control her abilities, and then proceeds to upset her, which in turn kicks on Maya's inky virus powers. Maya pulls it together and stops herself, because apparently it's just that easy. Who would have guessed that all she had to do to stop her powers was to knock off the drama queen emo-crying? Huh. In an even more contrived twist, Alejandro has managed to find an internet connection and has found out about Sylar killing his mother (which we saw last season). He shows it to Maya and confronts Sylar, who spills out a sob-story about how she thought he was a monster and how it was self-defense. Maya sides with Sylar and asks Alejandro to leave, which he does. (Yay! One down!) Unfortunately, he comes back to have a go at Sylar. (Boo, he's back.) But then, Sylar kills Alejandro (Yay! One down again!) and gets his love connection going with Maya in all his sweaty, shirtless nastiness. Finally, they arrive in New York just in time to waltz right into Mohinder's home and hold Molly hostage. Don't even get me started here. I don't know who Mohinder hired to watch his little girl (since both he and Parkman are apparently too busy running around the country chasing men) but anyone who would just take off and leave a little girl in the care of two complete strangers needs to be fired... big time. By "I gave the babysitter the night off" I'm hoping that Sylar really means "I brutally carved up the babysitter and put her in a dumpster" because otherwise Mohinder really needs to check people's references when he hires the next babysitter. Hiro He's seen the future, he's seen the ancient past, now Hiro travels back in time to... the 70s? WTF? After searching for clues as to Kensei's current whereabouts, Hiro finds a picture of Kensei (now calling himself Adam Monroe), his father, and Victoria Pratt. He then finds the order to have Adam imprisoned, signed by Kaito Nakamura himself in 1977. Hiro travels back in time and finds that Adam intended to release Strain 138 of the Shanti virus (which, they remind us again: "could kill everyone") but was stopped and thrown in prison. Victoria Pratt objects to the whole virus research in general, and leaves the Company. Back in the present, and armed with the location of Strain 138 (don't forget! It could kill us all!), Hiro takes his sword and goes after Adam, only to run into... ![]() Stop. Hammertime. The Petrelli Identity Peter, now with his memories intact, shows Adam a virus warning that he just happened to pick up on yet another quick jaunt to the future. This little trip really serves no purpose other than the fact that the writers probably realized suddenly that they didn't have any way to have Adam start talking about Victoria Pratt, so they added in this little piece of retcon at the last moment. Adam, now with Deus Ex Virus Warning in hand, rambles on about how Victoria Pratt was in charge of the virus experiments and how she was the one that created the strain that could (everyone together now!) kill everyone. Peter decides to help Adam find her and stop the virus from being released. Cut to: Peter and Adam have somehow found Victoria Pratt. Don't ask me how, considering both of them have been locked up in a Company holding cell and Victoria was in hiding and the only person who knew her location was Angela Petrelli. Maybe she was in the phone book. Who knows? Regardless, once Victoria finds out that Peter is working with Adam, she shoots them both square in the chest with a shotgun (not that it does much good against two healers). Peter takes the gun from her and uses Parkman's powers to read her mind and find the real location of the virus: Odessa, Texas. Man, what don't they do over there? Victoria tries to warn Peter about Adam's true intentions, but Adam quickly covers it up and makes it seem like he was trying to save lives in 1977, not release the virus. He then sets Victoria up and shoots her "in self defense". And here's the kicker: after Peter leaves, Adam takes out a picture of Victoria (from the Company photo), draws the Godsend symbol on it with his own blood, and drops it on the body. That's all well and good, but don't you think that when the police eventually find the body, they'll run tests on the photo and be a little surprised to find self-healing blood smeared all over it? Did he do this with the other photos? I sincerely hope not or that's a major, major plot hole. Peter and Adam arrive at Primatech Paper when all of a sudden time freezes. Peter looks around and sees Hiro waiting for them. Hiro explains that Adam killed his father and must pay, but Peter won't let him. Hiro races towards Peter with his sword drawn as the episode cuts to black and ends, which will lead us up to the events of next week's episode, the season finale "Powerless". Here's what we have to look forward to:
Sorry, this part is for members only and may contain spoilers. If you'd like to read it, please LOG IN or REGISTER. In the words of Don Roritor in Brain Candy: "I had such high hopes.." After last weeks episode, I may have raised my expectations a little too high because I was fairly dissapointed in this week's episode. We had a nice respite, but now it's back to trudging along through worthless storylines like Maya and Nikki. They have a lot of ground to cover in the season finale next week, so expect it to be a whirlwind. I can only hope that they spend enough time on the characters that matter, and skimp on the lesser sections. Peter Sorensen is a weekly reviewer and if he's released, he could kill us all..... Thoughts? Opinions? Drunken Regrets? Post a comment below and let us know! Comments (17)
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